NID New Italian Dance Platform Reggio Emilia 10-13 October 2019
The OPEN STUDIOS performances selected for NID Platform 2019, for which Paolo Brancalion and Mara Serina have also joined the...
Reggio Emilia, “Dance Capital”: 10-13 October...
The international Commission featuring Lanfranco Cis Christophe Galent, Li Ming, Daniele Sepe, Steriani Tsintziloni and Gerarda Ventura has selected the 15 performances from 15 artists to go on stage...
The 5th NID - New Italian Dance Platform’s edition is...
We will be glad to welcome you from August 29 to September 1 at booth nr. 42 "Danceland – Heart of Dance in Italy". Join as at Tanzmesse Düsseldorf...
NID 2019 will feature vibrant innovations, focus on new trends and topics. Join...
Bolero is a classic of ballet. How was it to face up with this work and what interpretation does your work give? It is not the first time that I tackle a classic, it is always fun and...
How did your performance A room for all our tomorrows come to life and what is it about? A Room For All Our Tomorrow is the result of a troubled creative process. The starting point is far...
How did the performance R. OSA come about? R. OSA is performance which arises from the passion for rounded bodies, for the curvy shapes of the body, from the curiosity to explore their...
Your work, Kudoku, brings together dance and live music. How did the collaboration with the composer Dan Kinzelman come about? I met Dan Kinzelman thanks to Enrico Bettinello and to an...
Your work, Trigger, is part of the wider project Pratiche di abitazione temporanea (Practices of temporary residence). What is it about? In 2015 Virgilio Sieni invited me to the Biennale...
The title of your work, In girum imus nocte et consumimur igni , is very peculiar: it is a latin palindrome which means “We go wandering at night and are consumed by fire”; and, despite...
Sylphidarium. Maria Taglioni on the ground recalls La Sylphide by Maria Taglioni, a work which was at the origins of romantic dance. Why, among the many classics of ballet, did you choose this...
How did the show Home alone come about? Home alone was commissioned by the artisitc director of the Balletto di Roma, Roberto Casarotto: when I was offered to become an associate artist of the...
Your work, We_pop, is the result of a research process which started with the project I would like to be pop. Does the evolution of this show lay, perhaps, in this switch from “me” to...
Your performance is an interpretation of the well-known fairy tale Puss in boots. Why this choice? The tale is about the ability to see, in things and situations of supposedly little worth, a...
Le quattro stagioni (The four seasons) – From summer to autumn is a co-created performance by you and Roberto Cocconi. How was it to work in couple and how did you carry out your...
Conversation with Francesco Colaleo The description of your performance, Re-Garde, opens up with a quotation from Giovanni Pascoli’s Fanciullino. Was this the inspiration of your work?...
Mysterious Engine is a creation which reflects on the condition of non-freedom of the human being. What was the starting point for the development of this work? The starting point, as...
Interview by Lisa Cadamuro – NID Platform staff Pulcinella is a classic of XX century dance. It was staged for the first time in 1920 by Ballets Russes with choreography by Leonide...
Interview by Lisa Cadamuro – NID Platform staff You have defined your performance Everything is ok as “an experiment on the tiredness of watching”. You did not use the word “experiment”...
Almost all my works have a tendency to “danced abstraction” - in other words, I like to say that they “aim to the stars”, to the far distances that leave behind the things of this world....
The fourth edition of NID Platform and the selected companies were presented in Rome at the Ministry of...
118 proposals and 79 companies: these are the first data on the call for NID Platform 2017. The online portal is now...
Build your own network and connect/be aware to/of what’s outside your own...
I think it would be useful to envisage sort of a “traverl boursary” in order to support the trips of younger companies. Enhances the enterpreneurial skills of the artists, encouranging them to...
Be curious and do not be afraid of the unknown, of investigating with your body through the most culturally distant techniques, nothing is...
Be yourself. Be independent. Take a risk. Do not imitate what others are doing only because they are successful in festival...
In-progress contents, online calls for artists, independent pages dedicated to proposals and available at any time to operators: the first online platform for Italian...
The edition in Gorizia is going to be a big dance festival, where the whole city will talke part. We are working precisely on involving everyone at every...
My expectations from the companies and shows which will apply to NID Platform 2017? Emotions and most of all a lot of dancing. I don’t like...
