Touching is a stage of what exists, deals with the life of forms and possibilities they have to find their measure, to lay their bodies down soberly. TOCCARE the White Dance, in their choreographic thought, intend to implement an aesthetic experience which reveals the power of touching as a fundamental gesture of the world, both the sensitive and insensitive one of the bodies, simple intimacy of a feeling radically open. This primacy of touching is to be intended in the context of a thought for which the main feature of existence is its being singular-plural, recognising that we are already open to the other from both the inside and the outside. Touching the other means touching all the potential others, including their own person, the insensitive in the sensitive; it means thinking radically about the nature of time and being.
Touching is therefore intended as approaching to the world of a subject which is infinite exposure. Being side by side in the composition of bodies without predicting the return to themselves, moving the extension and extending the emotion in a simultaneity that collides with existence itself. Bodies touching and, by doing so, become flesh. Touching in a detached way, without domain, like enchanted in an expressive power which incorporates all eyes of ecstatic interlude on itself. Not exerting all our powers means activating a takeover that does not own. Disarming the tyranny of a body colonised by permanent profit means practicing a movement that is contagiously and joyfully alive. The activation of erotic body abandoned by hyper sexualized narcissism that builds isolating architecture is a political problem and, overall, a common responsibility without calculation which we share with all human and non-human beings, it is an aesthetic dimension which puts us in contact with the fullness of nothingness, at the core of matter and with sensual qualities of a world that is not World anymore, for ecology with no return.