Körper | Centro Nazionale di Produzione della Danza
CANI LUNARI
choreography Francesco Marilungo
performers Erica Bravini, Alice Raffaelli, Barbara Novati, Roberta Racis, Francesca Linnea Ugolini, Vera Di Lecce (rotating cast)
costumes Lessico Familiare
music and vocal coaching Vera Di Lecce
lighting and space design Gianni Staropoli
photos and video Luca Del Pia
production Körper | Centro Nazionale di Produzione della Danza
co-production SNAPORAZVEREIN, IRA – Institute
winning project of the CollaborAction Award – Anticorpi XL Network
The project was supported by ResiDance – a residency support by the Anticorpi XL Network: Centro di Residenza della Toscana (Fondazione Armunia Castiglioncello – CapoTrave/Kilowatt Sansepolcro), AMAT – Associazione Marchigiana per le Attività Teatrali, Consorzio PUGLIA CULTURE – Consorzio Regionale per le Arti e la Cultura
in collaboration with Associazione Menhir / festival LE DANZATRICI en plein air (Ruvo di Puglia) and Associazione Culturale TEATRO MENZATÌ/ TEX – Il Teatro dell’ExFadda (San Vito dei Normanni, Apulia Region)
with the support of Cross Festival, Primavera dei Teatri Castrovillari
with the contribution of Marosi Festival, Fondazione Egri – Centro di Rilevante Interesse per la Danza, Teatro delle Moire, Centro Coreografico Nazionale Aterballetto
duration 55 min
During the winter months, when the moon is full or nearly full, light can be refracted by ice crystals in high-altitude clouds, creating a circular halo around the lunar disk with two symmetrical flares on either side: moon dogs. Historically, these atmospheric phenomena were read as omens of approaching storms, yet they were also signals of transition, visual gateways to the invisible. CANI LUNARI [moon dogs] is a choreographic project that steps through these gateways, immersing itself in imagery rooted in the archaic feminine, magical knowledge, and the ecstatic body. It is an investigation into the figure of the witch and the healer: not as a folkloric remnant or a demonised stereotype, but as an emblem of marginal and powerful knowledge that resists the logic of utility and visibility. The research process combines archival materials, oral testimonies, folkloric iconography, and bodily practices. At the heart of the project lies a reflection on the hysterical body: a feminine state of crisis and enigma, historically associated with witchcraft and states of possession. Nineteenth-century photographs from the Salpêtrière hospital become symbolic material to be embodied: bodies out of control, channelled by the invisible, performing an alternative form of knowledge. The soundscape by Vera Di Lecce weaves electronics with natural sounds, chants, and incantations, in a score suspended between the earthly and the divine. CANI LUNARI is a crossing, a ‘white sabbat’, a collective ritual to re-enchant the world.